| MON. | OCTOBER 1 Alessandro Stradella (1644) / Henry Clay Work (1832) / Paul Dukas (1865) / Vladimir Horowitz (1904) / Margaret Hillis (1921) |
9 am |
Brahms: "Academic Festival Overture", op. 80 |
10 am |
Beethoven: Symphony #2 in D Major, op. 36 |
11 am |
Sibelius: Violin Concerto in D Minor, op. 47 |
noon |
Fasch: Suite for Orchestra #2 in D Major |
1 pm |
Ysaye: Sonata for Solo Violin in E Minor, op. 27/#4 |
2 pm |
Vaughan Williams: Symphony #2 "A London Symphony" |
3 pm |
Korngold: String Quartet #3 in D Major, op. 34 |
4 pm |
MacDowell: Piano Concerto #1 in A Minor, op. 15 |
5 pm |
KARL HAAS «»«»«» An Autumn Palette «» A program celebrating the autumn season with musical expressions of various colors. |
6 pm |
Respighi: Ancient Airs and Dances (Suite #1); Viotti: Violin Concerto #22 in A Minor |
7 pm |
Hanson (compl. Labé): Piano Sonata, op. 11; Chopin: Concert Rondo for Piano & Orchestra in F Major, op. 14 "Krakowiak" |
8 pm |
Prokofiev: Lieutenant Kijé (film score) (Suite, op. 60); Shostakovich: Symphony #2, op. 14 "To October" |
9 pm |
Dukas: "The Sorcerer's Apprentice"; Rachmaninoff: Piano Sonata #2 in B-flat Minor, op. 36; Janacek: Taras Bulba (Rhapsody for Orchestra) |
10 pm |
Schumann: Dichterliebe, op. 48; Lalo: Cello Concerto in D Minor |
11 pm |
Shostakovich: October (symphonic poem), op. 131; Beethoven: String Quartet #14 in C-sharp Minor, op. 131 |
| TUE. | OCTOBER 2 Jeremiah Dencke (1725) / Gunnar Wennerberg (1887) / Henri Février (1875) / Beng Johansson (1914) / Douglas Lilburn (1915) / Kenneth Leighton (1929) / Peter Frankl (1935) |
5 pm |
KARL HAAS «»«»«» Make It Fast «» How fast is fast? What are the composer's directions, and how do they meet the musical requirements of the composer's time? Today's program seeks answers. |
8 pm |
EVENING AT THE OPERA «»«»«» Opera Treasures from Yale (guest: Vincent Giroud) |
| WED. | OCTOBER 3 Stanislaw Skrowaczewski (1923) / Steve Reich (1936) / Ruggero Raimondi (1941) |
5 pm |
KARL HAAS «»«»«» Rare & Well Done «» Another sampling of unusual compositions rarely heard and beautifully performed. |
6 pm |
Bernstein: Fancy Free (3 Dance Variations) |
7 pm |
Schumann: Violin Concerto in D Minor |
8 pm |
Doyle: Much Ado About Nothing (film score) |
9 pm |
Dvorak: Scherzo Capriccioso, op. 66; Hummel: Trumpet Concerto in E Major; Nielsen: Aladdin (incidental music), op. 34 (Suite) |
10 pm |
Verdi: Otello ("Giŕ nella notte densa"); Berlioz: Harold in Italy (Symphony for Viola & Orchestra), op. 16 |
11 pm |
Rogers: Once Upon a Time (Five Fairy Tales); Tchaikovsky: Symphony #4 in F Minor, op. 36 |
| THU. | OCTOBER 4 Jean-Louis Duport (1749) / Alain Lombard (1940) / John Aler (1949) / Francisco Araiza (1950) |
5 pm |
KARL HAAS «»«»«» From Generation to Generation «» A look at the artistry of selected pianists from successive generations. |
7 pm |
Mario's Minute (Mario Lanza) |
8 pm |
Thursday Evening Piano Concerto |
9 pm |
GOOD FOLK «»«»«» New Folk «» Blackmore's Night: Fires at Midnight; Eric Bibb: Painting Signs; Gillian Welch: Time Out (The Revelator); John Doyle: Evening Comes Early; Larry Kirwan: Kilroy Was Here; Robert Mirabal: Music from a Painted Cave; Harvey Reid & Joyce Andersen: The Great Sad River; Gideon Freudman: Ukrainian Pajama Party |
11 pm |
NEW MUSIC GALLERY «»«»«» Esteban Ramirez: Welcome Home; Lorie Line: Just Me |
| FRI. | OCTOBER 5 Giuseppe Gazzaniga (1743) / Halfdan Cleve (1879) / Ken Noda (1962) |
10 am |
Field: Piano Concerto #7 in C Minor |
11 am |
Delibes: Coppélia (Act 2) |
5 pm |
KARL HAAS «»«»«» Mozart On My Mind «» A look at how music from Mozart's operas has attracted other composers to use it as the basis for variations. |
6 pm |
Gottschalk (recon. & orch. H. Kay): Grande Tarantelle for Piano & Orchestra, op. 67 (RO 259) |
7 pm |
Ravel: Daphnis et Chloé (complete) |
8 pm |
Charismatic Concerto |
9 pm |
MIXED BAG «»«»«» Classical Music Theme: Classical Music Quiz |
10 pm |
MIXED BAG «»«»«» Broadway & Film Scores «» Mystery Voice Quiz; Porter: Silk Stockings (original soundtrack) |
11 pm |
MIXED BAG «»«»«» Just Jazz |
| SAT. | OCTOBER 6 Johann Decker (1598) / Jenny Lind (1820) / Karol Szymanowski (1882) / Maria Jeritza (1887) / Richard Dyer-Bennett (1913) / Paul Badura-Skoda (1927) |
10 am |
Beethoven: Piano Concerto #3 in C Minor, op. 37 |
11 am |
Szymanowski: Symphony #3, op. 27 "Song of the Night" |
noon |
Kiel: Piano Trio, op. 65/#2 |
1 pm |
Dukas: La Péri |
2 pm |
Moyzes: Symphony #4 in E-flat Major, op. 38 |
| SUN. | OCTOBER 7 William Billings (1746) / Wilhelm Molique (1802) / Gertrude Clarke Whittal (1867) / Alfred Wallenstein (1898) / Shura Cherkassky (1911) / Yaltah Menuhin (1922) / Charles Dutoit (1936) / Yo-Yo Ma (1955) |
3 pm |
THE NEW YORK PHILHARMONIC «»«»«» Kurt Masur, conductor; Angelika Kirschlager, mezzo-soprano «» Satoh: Kisetsu; Mahler: Rückert-Lieder; Franck: Symphony in D Minor |
9 am |
Sinding: Piano Concerto in D-flat Major |
10 am |
Beethoven: Sonata for Cello & Piano #5 in D Major, op. 102/#2 |
11 am |
Shostakovich: Symphony #9 in E-flat Major, op. 70 |
noon |
Arensky: Variations on a Theme of Tchaikovsky for Strings, op. 35a |
1 pm |
Saint-Saëns: Cello Concerto #2 in D Minor, op. 119 |
2 pm |
Haydn: Symphony #31 in D Major "Hornsignal" |
3 pm |
Schubert: Piano Sonata in B-flat Major, D. 960 |
4 pm |
Boccherini: Quintet for Flute & Strings in D Major, G. 419 (op. 21/#1) |
5 pm |
KARL HAAS «»«»«» Music for Pleasure «» A goodly helping of works written for the express purpose of inducing pleasure in the listener. |
6 pm |
Respighi: Ancient Airs and Dances (Suite #2); Dvorak: Symphonic Poem (Symphonic Rhapsody) for Orchestra in A Minor, op. 14 |
7 pm |
Mozart: Piano Concerto #27 in B-flat Major, K. 595; Mahler: Symphony #8 in E-flat Major "Symphony of a Thousand" |
9 pm |
Mozart: Piano Concerto #26 in D Major, K. 537 "Coronation" |
10 pm |
Vierne: Organ Symphony #1 in D Minor, op. 14 |
11 pm |
Vaughan Williams: Mass in G Minor |
| TUE. | OCTOBER 9 Johann Wilhelm Hertel (1727) / Pierre Gaveaux (1760) / Camille Saint-Saëns (1835) / Janis Medins (1890) / John Lennon (1940) |
5 pm |
KARL HAAS «»«»«» Visit with Verdi «» Today's program offers reconstructions of discussions with Giuseppe Verdi (based on contemporary accounts) on several of his operas. |
8 pm |
EVENING AT THE OPERA «»«»«» Bellini: I Puritani |
| WED. | OCTOBER 10 Giuseppe Verdi (1813) / Vernon Duke (1903) / Paul Creston (1906) / Evgeny Kissin (1971) |
5 pm |
KARL HAAS «»«»«» Story of the Sonata «» A continuation of the on-going series on the evolution of the sonata. |
6 pm |
Elgar: Caractacus (cantata), op. 35 (Overture) |
7 pm |
Bantock: Hebridean Symphony |
8 pm |
Raksin: The Bad and the Beautiful (film score) |
9 pm |
Verdi: Nabucco (Overture); Rachmaninoff: Piano Concerto #2 in C Minor, op. 18; Barber: Medea, op. 23 ("Medea's Meditation and Dance of Vengeance", op. 23a) |
10 pm |
Vaughan Williams: Symphony #3 "A Pastoral Symphony"; Verdi: Requiem (in Memory of Alessandro Manzoni) |
| THU. | OCTOBER 11 Simon Sechter (1788) / Fernando de Lucia (1860) / Xavier Leroux (1863) / Robert Nathaniel Dett (1882) / Fritz Stiedry (1883) / Jerome Robbins (1918) |
5 pm |
KARL HAAS «»«»«» Is My Face Red! «» Have you ever mistaken one piece of music for another because of a similarity in sound? Rest assured, you are not alone (as today's program will attest). |
7 pm |
Mario's Minute (Mario Lanza) |
8 pm |
Thursday Evening Piano Concerto |
9 pm |
GOOD FOLK «»«»«» Songcatchers «» Songcatcher (music from and inspired by the motion picture); Smithsonian Folkways American Roots Collection; Mike Seeger's Collection: Close to Home |
11 pm |
NEW MUSIC GALLERY «»«»«» Peter Janson: Sometimes from Here; Govi: Your Lingering Touch |
| FRI. | OCTOBER 12 Johann Ludwig Krebbs (1713) / Arthur Nikisch (1855) / Ralph Vaughan Williams (1872) / Luciano Pavarotti (1935) |
10 am |
Mozart: Sinfonia Concertante for Violin, Viola & Orchestra in E-flat Major, K. 364 |
11 am |
Chopin: Piano Sonata #1 in C Minor, op. 4 |
5 pm |
KARL HAAS «»«»«» All in a Day's Work «» A sampling of instrumental and vocal pieces written in the heat of one day's inspiration. |
6 pm |
Kodály: "Summer Evening" |
7 pm |
Hans Fantel returns for another two hours of reminiscences on the Viennese operetta with Delphine Marcus |
9 pm |
MIXED BAG «»«»«» Classical Music Theme: Windy Passages |
10 pm |
MIXED BAG «»«»«» Broadway & Film Scores «» Mystery Voice Quiz; Sondheim: Follies (recorded live at Avery Fisher Hall) |
11 pm |
MIXED BAG «»«»«» Just Jazz |
| SAT. | OCTOBER 13 Anselm Hüttenbrenner (1794) / Gösta Nystroem (1890) / Hugo Weisgall (1912) / Paul Simon (1941) / Leona Mitchell (1948) |
10 am |
Strauss: Ein Heldenleben, op. 40 |
11 am |
Sibelius: Symphony #7 in C Major, op. 105 |
noon |
Martin: Passacaglia for Large Orchestra |
1 pm |
Hahn: String Quartet in F Major |
2 pm |
Lajtha: Lysistrata (ballet), op. 19 (Suite for Orchestra, op. 19a) |
| SUN. | OCTOBER 14 Alexander Zemlinsky (1871) / Maurice Martenot (1898) / Gary Graffman (1928) |
3 pm |
THE GREATER BRIDGEPORT SYMPHONY ORCHESTRA «»«»«» Gustav Meier, conductor; Allen Vizzuti, trumpet; James Ranti, trumpet «» Handel: Royal Fireworks Music (Overture); Vivaldi: Concerto for 2 Trumpets in C Major, R. 537 (P. 75); Rossini: The Thieving Magpie (Overture); Vizzuti: "Rising Sun"; Vizzuti: "Snow Scenes"; Rimsky-Korsakov: Capriccio Espagnol, op. 34 |
| MON. | OCTOBER 15 Samuel Adams Holyoke (1762) / Bernhard Henrik Crusell (1775) / Thomas Hastings (1784) / Friedrich Nietzsche (1844) / Arcady Dubensky (1890) / Dag Wirén (1905) / Karl Richter (1926) |
9 am |
Debussy: Images (Set #3, for Orchestra) (#2 Iberia) |
10 am |
Brahms: Symphony 33 in F Major, op. 90 |
11 am |
Fauré: Sonata for Cello & Piano #2 in G Minor, op. 117 |
noon |
Vaughan Williams: "The Lark Ascending" (Romance for Violin & Orchestra) |
1 pm |
Berwald: Piano Trio in C Major |
2 pm |
Schubert: Octet for Winds & Strings in F Major, D. 803 (op. 166) |
3 pm |
Villa-Lobos: String Quartet #4 |
4 pm |
Wagner: Lohengrin (Preludes to Act 1 & Act 3) |
5 pm |
KARL HAAS «»«»«» In Love with Lenny «» A look at the world's love affair with Leonard Bernstein as seen through some of his well-known compositions. |
6 pm |
Respighi: Ancient Airs and Dances (Suite #3); Dvorak: Slavonic Rhapsody for Orchestra in D Major, op. 45/#1; Sor: Souvenir de Russie, op. 63 (for 2 Guitars) |
7 pm |
Haydn: Piano Trio in F-sharp Minor, Hob. XV:26; Liszt (after Bellini): "Réminiscences de Norma" (for Piano) |
8 pm |
Khachaturian: Masquerade (Suite); Hindemith: Mathis der Maler (Symphony) |
9 pm |
Handel: Alexander Balus |
| TUE. | OCTOBER 16 Jan Dismas Zelenka (1679) / Pierre van Maldere (1729) / Albert Franz Doppler (1821) / Carlos Pedrell (1878) / Henry Lewis (1932) |
5 pm |
KARL HAAS «»«»«» Name the Composer «» The monthly mystery composer quiz, which calls upon you to identify the master through his music. |
8 pm |
EVENING AT THE OPERA «»«»«» Your Favorite Verdi |
| WED. | OCTOBER 17 Giovanni Matteo Mario (1810) / Herbert Howells (1892) / Stephen Bishop-Kovacevich (1940) |
5 pm |
KARL HAAS «»«»«» Reel Music «» Music borrowed from the symphonic literature for use in the movies. |
6 pm |
Elgar: "Pomp and Circumstance" March #4 in G Major, op. 39/#4 |
7 pm |
Rimsky-Korsakov: Piano Concerto in C-sharp Minor, op. 30 |
8 pm |
Rózsa: Lady Hamilton (film score) |
9 pm |
Mendelssohn: "The Fair Melusina" (concert overture), op. 32; Sibelius: Two Serenades for Violin & Orchestra, op. 69; Saint-Saëns: Symphony #1 in E-flat Major, op. 2 |
10 pm |
Koechlin: "The Meditation of Purun Bhagat" (symphonic poem after Kipling's The Jungle Book), op. 159; Mozart: Piano Concerto #21 in C Major, K. 467; Shostakovich: Symphony #8 in C Minor, op. 65 |
| THU. | OCTOBER 18 Baldassare Galuppi (1706) / Ettore Pinelli (1843) / Miguel Llobet (1875) / Lotte Lenya (1898) / Shin'ichi Suzuki (1898) / Chuck Berry (1926) / Wynton Marsalis (1961) |
5 pm |
KARL HAAS «»«»«» Sound Imitations «» A look at musical imitations by composers of different places and events. |
7 pm |
Mario's Minute (Mario Lanza) |
8 pm |
Thursday Evening Piano Concerto |
9 pm |
GOOD FOLK «»«»«» Groups of the 50's and 60's «» A review featuring folk groups such as the Limeliters, the Weavers, the Kingston Trio, and Peter, Paul & Mary |
11 pm |
NEW MUSIC GALLERY «»«»«» Jeff Johnson & Brian Dunning: The Enduring Story; Secret Garden: Dreamcatcher |
| FRI. | OCTOBER 19 Vittorio Giannini (1903) / Karl-Birger Blomdahl (1916) / Emil Gilels (1916) / Benita Valente (1939) |
10 am |
Brahms: 6 Klavierstücke, op. 118 |
11 am |
Elgar: Symphony #2 in E-flat Major, op. 63 |
5 pm |
KARL HAAS «»«»«» No Overtures «» Examples of concertos which begin with an immediate entrance of the solo instrument. |
| SAT. | OCTOBER 20 Charles Ives (1874) / Roberto Halffter (1900) / Robert Craft (1923) / William Albright (1944) / Thomas Pasatieri (1945) / Ivo Pogorelich (1958) |
noon |
Wellejus: The Swan (ballet) (Our Childhood Friends Suite, op. 15) |
1 pm |
Liszt (after Meyerbeer): Réminiscences de Robert le Diable (for Piano) |
2 pm |
Rossini: Variations for Clarinet & Orchestra in C Major |
| SUN. | OCTOBER 21 Joseph Canteloube (1879) / Alexander Schneider (1908) / Sir Georg Solti (1912) / Malcolm Arnold (1921) / Shulamit Ran (1949) |
3 pm |
THE NEW YORK PHILHARMONIC «»«»«» Kurt Masur, conductor; Maxim Vengerov, violin «» Schnittke: (K)ein Sommernachtstraum; Khachaturian: Violin Concerto in D Minor; Tchaikovsky: Symphony #4 in F Minor, op. 36 |
| MON. | OCTOBER 22 William of Aquitaine (1071) / Vincenzo Manfredini (1737) / Franz Liszt (1811) / Karl Muck (1859) / Giovanni Martinelli (1885) / Paul Zukofsky (1943) |
9 am |
Boccherini: Quintet for Guitar & Strings in C Major, G. 453 "La Ritirada de Madrid" |
10 am |
Beethoven: Symphony #1 in C Major, op. 21 |
11 am |
Copland: The Red Pony (film score) (Suite) |
noon |
Corelli: Concerto Grosso in G Minor, op. 6/#8 "Christmas" |
1 pm |
Saint-Saëns: "La Muse et le Počte", op. 132 (for Violin, Cello & Orchestra) |
2 pm |
Glazunov: Suite for String Orchestra in C Major, op. 35 |
3 pm |
MacDowell: Piano Concerto #2 in D Minor, op. 23 |
4 pm |
Beethoven (attr.): Duo for Clarinet & Bassoon in C Major, WoO 27/#1 |
5 pm |
KARL HAAS «»«»«» Liszt the Virtuoso «» On his birthday, a look at the influence of Franz Liszt as the greatest pianist of his time, composing for his own brilliant performance. |
6 pm |
Respighi: Roman Festivals; Dvorak: Slavonic Rhapsody for Orchestra in G Minor, op. 45/#2 |
7 pm |
Schumann: 3 Romances for Piano, op. 28; Sinding: Piano Concerto in D-flat Major |
8 pm |
Tchaikovsky: Suite for Orchestra #3 in G Major, op. 55 |
9 pm |
Liszt: Christus |
| TUE. | OCTOBER 23 Albert Lortzing (1801) / Jean Absil (1893) / Miriam Gideon (1906) / Ned Rorem (1923) / Manos Hadzidakis (1925) |
5 pm |
KARL HAAS «»«»«» Step On It «» Today's program illustrates the meaning of the term accelerando. |
8 pm |
EVENING AT THE OPERA «»«»«» An Evening of Operatic Highlights |
| WED. | OCTOBER 24 Ferdinand von Hiller (1811) / Imre Kálmán (1882) / Tito Gobbi (1915) / Luciano Berio (1925) / George Crumb (1929) / Sofia Gubaidulina (1931) |
5 pm |
KARL HAAS «»«»«» Music and Architecture «» A look at the relationship between music and architecture, with regard to both their structure and period of origin. |
6 pm |
Falla: music for piano |
7 pm |
Shostakovich: Symphony #7 in C Major, op. 60 "Leningrad" |
8 pm |
Addinsell: The Greengage Summer (film score) |
9 pm |
Schumann: Genoveva (Overture); Prokofiev: Piano Sonata #7 in B-flat Major, op. 83; Berwald: Symphony #4 in E-flat Major |
10 pm |
Falla: El Amor Brujo; Haydn: Cello Concerto in D Major, Hob. VIIb:2 (op. 101) |
11 pm |
Crumb: Four Nocturnes for Violin and Piano (Night Music II); Schoenberg: Pelleas und Melisande (symphonic poem), op. 5 |
| THU. | OCTOBER 25 Thomas Weelkes (1576) / Johann Strauss, Jr. (1825) / Georges Bizet (1838) / Alexander Gretchaninov (1864) / Galina Vishnevskaya (1926) / Peter Lieberson (1946) / Ransom Wilson (1951) |
5 pm |
KARL HAAS «»«»«» The Magic of Beethoven «» Today's program, recorded at the WMNR studios, explores some of the many aspects of Beethoven's music. |
7 pm |
Mario's Minute (Mario Lanza) |
8 pm |
Thursday Evening Piano Concerto |
9 pm |
GOOD FOLK «»«»«» Divas «» Malvina Reynolds: Ear to the Ground; Rosalie Sorrels: No Closing Chord; Peggy Seeger: Love Will Linger On; Liz Carroll: Lost in the Loop; Hazel Dickens: It's Hard to Tell the Singer from the Song |
11 pm |
NEW MUSIC GALLERY «»«»«» Rusty Crutcher: Isle of Avalon; Bill Douglas: A Place Called Morning |
| FRI. | OCTOBER 26 Hans Buchner (1483) / Domenico Scarlatti (1685) / Johan Helmich Roman (1694) |
10 am |
Haydn: Symphony #103 in E-flat Major "Drum-Roll" |
11 am |
Adam: Giselle (Act 1) |
5 pm |
KARL HAAS «»«»«» That's the Ticket «» Another musical excursion, this time to France through the music of its composers. |
| SAT. | OCTOBER 27 Niccolň Paganini (1782) / Conlon Nancarrow (1912) / Dominick Argento (1927) |
9 am |
Rodgers: On Your Toes ("Slaughter on Tenth Avenue") |
10 am |
Widor: Organ Symphony #5 in F Minor, op. 42/#1 (Toccata) |
11 am |
Delius: A Village Romeo and Juliet ("The Walk to the Paradise Garden") |
noon |
Kurpinski: Two Huts (Overture) |
1 pm |
Zelenka: Hipocondrie for 7 Concertante Instruments in A Major |
2 pm |
Françaix: 5 Piccoli Duetti (for Flute & Harp) |
| SUN. | OCTOBER 28 Howard Hanson (1896) / Cleo Laine (1927) |
3 pm |
THE CLEVELAND ORCHESTRA «»«»«» Christoph von Dohnányi, conductor «» Mozart: Symphony #36 in C Major, K. 425 "Linz"; Janacek: Taras Bulba (Rhapsody for Orchestra); Brahms: Symphony #4 in E Minor, op. 98 |
9 pm |
SONG SPECIAL «»«»«» The British Art Song |
| MON. | OCTOBER 29 Daniele Amfitheatrof (1901) / Jon Vickers (1926) |
9 am |
Villa-Lobos: String Quartet #3 |
10 am |
Tchaikovsky: Symphony #2 in C Minor, op. 17 "Little Russian" |
11 am |
C. Stamitz: Clarinet Concerto #10 in B-flat Major |
noon |
Strauss: Horn Concerto #1 in E-flat Major, op. 11 |
1 pm |
Respighi: Roman Festivals |
2 pm |
Mendelssohn: Symphony for Strings #9 in C Major |
3 pm |
Haydn: Sinfonia Concertante in B-flat Major, Hob. I:105 (op. 84) |
4 pm |
Fauré: Fantaisie for Piano & Orchestra in G Major, op. 111 |
5 pm |
KARL HAAS «»«»«» Seasonal Views «» A look at the different ways composers of different persuasions looked upon changes of seasons. |
6 pm |
Respighi: Metamorphosen modi XII (Theme and Variations for Orchestra); Dvorak: Romance for Violin & Orchestra in F Minor, op. 11 |
7 pm |
Debussy: Estampes (for Piano); Franck: Symphonic Variations for Piano & Orchestra |
8 pm |
Strauss: An Alpine Symphony, op. 64 |
9 pm |
Haydn: Symphony #56 in C Major |
10 pm |
Mendelssohn: Concerto for Violin & Strings in D Minor |
11 pm |
Schumann: Liederkreis (Eichendorff), op. 39 |
| TUE. | OCTOBER 30 Elizabeth Sprague Coolidge (1864) / Ezra Pound (1885) / Peter Warlock [Philip Heseltine] (1894) / Armin Kaufmann (1902) / Franz Brüggen (1934) / René Jacobs (1946) / Shlomo Mintz (1957) / Dimitris Sgouros (1969) |
5 pm |
KARL HAAS «»«»«» International Dating Game «» Today's program singles out important dates in history that are associated with musical compositions. |
8 pm |
EVENING AT THE OPERA «»«»«» Singers at the Brooklyn Academy of Music in the 50's and 60's |
| WED. | OCTOBER 31 Robert Radecke (1830) / Louise Talma (1906) / David Lumsdaine (1931) |
5 pm |
KARL HAAS «»«»«» Boo! «» Happy Halloween! |
6 pm |
Toye: The Haunted Ballroom |
7 pm |
Saint-Saëns: "Danse macabre", op. 40 (and other "ghostly music") |
8 pm |
Williams: E.T., the Extra-Terrestrial (film score); Williams: Close Encounters of the Third Kind (film score) |
9 pm |
Dvorak: The Noon Witch (symphonic poem), op. 108; Beethoven: Piano Trio #4 in D Major, op. 70/#1 "Ghost"; Mussorgsky: "Night on Bald Mountain" |
10 pm |
Liszt: "Totentanz" (Paraphrase on "Dies irae") for Piano & Orchestra; Paganini: Violin Concerto #5 in A Minor |
11 pm |
Chadwick: Symphonic Sketch #3 "Hobgoblin"; Berlioz: Symphonie Fantastique, op. 14 |